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It was also criticized for the scenes of Flo's menstrual blood on her dress and the bedspread (after Richard fingered her), and for part-time prostitute Jerri (Carla Gugino), Flo's bi-sexual friend (they kissed in one scene), who described how she once experienced a female squirting orgasm similar to male ejaculation ("I am having this orgasm like I have never had before, and all this stuff starts shooting out of me, like a guy shooting his load... She appeared bruised at the hotel room after being pummeled by her thuggish boyfriend for not having another one of her spectacular but uncontrollable orgasms, and was generously offered ,000 by Richard - her fee that the guy had taken back from her purse.This incited some jealousy from Florence and comparative insight about being prostitutes who exchanged sex for money: Provocative French director/writer Catherine Breillat's disturbing, controversial, and explicit unglamorous view of the painfulness of adolescent sexuality followed her earlier films about virginal deflowering, including A Real Young Girl (1976, Fr.). You gotta pre-heat the oven before you stick in the turkey." After a few warm-up kisses around her neck, she said: "Oh, you're making me wet" - but then: "I was just saying that so you could practice." After grabbing both of her breasts through her clothing, he asked: "Does direction matter? " She told him that his main problem was that he was "so uptight" and that he needed to be more "comfortable in any situation." He stood up and she depantsed him, and once he became immediately aroused, she urged him to think of "non-sexual" things: "I haven't even touched you yet, and you're turning into the Sears Tower." And then she went further: "I'm gonna do something to push your threshold" -- she shoved a trumpet in his ass ("Aren't instruments fun? One of the film's most outrageous scenes found Jim accompanied by his father at the hospital with a medical emergency.

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[Breillat's later film, Sex Is Comedy (2002, Fr.) was a fictional account of the filming of Fat Girl, by Breillat's alter-ego director Jeanne (Anne Parillaud).

She was filming the scene in which young virginal Actress (Roxane Mequida, who played the same character in Fat Girl) was seduced by an older Italian boy Actor (Grégoire Colin, who did not appear in the original film), wearing a prosthetic penis.]It told about overweight, over-eating, under-appreciated 13 year-old Anais Pingot (Anais Reboux), with an imaginative sexual fantasy life, who prophetically thought she should lose her virginity to an anonymous anybody: She was contrasted to her pretty and thin 15-year-old sister, Elena Pingot (Roxane Mesquida), who was on the verge of losing her own virginity, while they were on a holiday on the south French coast with their mother (Arsinee Khanjian).

The initial gross-out film from 1999 was followed by director J. Rogers' equally sex-oriented sequel with crude humor, the continuing sexual mis-adventures of horny male teens with juvenile sex drives after one year of college, living at a Michigan lake-side house for the summer. His left hand was stuck to his penis with Crazy Bond glue ("AS STRONG AS STEEL") and his right hand adhered to a videotape cassette - it happened when he was masturbating to a porno video ("Pussy Palace") but mistook the glue for erotic lubricant.

It included the simulated sex scene (more revealing in the 'unrated' version) of two tempting females pretending to be "hot lesbians." The female duo threatened: "You don't touch, we don't touch," hoping to get the guys to perform humiliating homosexual actions (an ass grab, a lip kiss, etc.) in front of them: As their embarrassing dialogue was transmitted to walkie-talkies ("My nipples are so hard"), they lesbian-kissed and then turned to request reciprocal action from the guys: "Your turn.... Jim's dad (Eugene Levy) told off an offended lady in the waiting room: Francis Ford Coppola's re-released, 'director's version' Apocalypse Now Redux (2001) of his 1979 war film included 49 more minutes of mostly unnecessary, excised scenes added - including extended scenes of nudity and melancholy-tinged sexual adventure during the boat journey upriver.

This exceptional anime-like film, done completely in astronomically-expensive CGI over a four year period was the first photo-realistic, computer-generated feature film with convincing, accurately-detailed, life-like flesh-and-blood characters, inspired by a best-selling series of video games by the film's director, Hironobu Sakaguchi.